Do you have an old postcard and curious about its age? If the postcard is used, the most check the date on the postmark. However, there are many postcards that were never mailed or that a part of the post mark is illegible or soiled. Here are some general guidelines to help determine the age range of your post card. Date when postcards were first mailed:. Postcards started to be sent internationally in , after the first meeting of the General Postal Union in Berne, Switzerland. The first commercial postcards produced in the U.
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Oct 18, – Miss Ellen Terry Edwardian Shakespeare Stage Actress RPPC nonsense websites waste your time with “news” of celebrity dating and drama.
Welcome to Net54baseball. These forums are devoted to both Pre- and Post- war baseball cards and vintage memorabilia, as well as other sports. If you write anything concerning a person or company your full name needs to be in your post or obtainable from it. Contact the moderator at leon net54baseball. Password NEW Chat! I only collect s Killebrew memorabilia, and while the image used for these postcards is from the early ’60s, is there any way to know if the postcards are of the same vintage?
I’ve read that it’s easy to tell under magnification if an RPPC is “vintage”, but does that necessarily mean it’s the same vintage as its picture? And can I make any judgment based on eBay scans? Does the back of the “full bleed” one narrow the years down much? How about the copy with the thick borders? Does that likely pre-date the full-bleed one?
Available images suggest that the date may be more accurate. K: Known dates, the year spread could be larger Dating photopostcards is an art, but is somewhat easier than dating studio portraits as the date of studio operatioins is often not known. Most of the photo postcards that we have noted date from
Regional Perinatal Programs of California (RPPC) Date, Update. 3/20/ to administer the Regional Perinatal Program of California (RPPC).
Most Real Photo Postcards, abbreviated RPPC, have information on their backs to help in identifying the manufacturer of the photographic paper that was used by the postcard publisher. If you can identify the paper manufacturer, you can approximate the age of the old postcard. If the postcard has a stamp box, click on one of stamp box links below.
If there is no stamp box, or a generic stamp box, go to Postcards Backs. All entries on one page may be slow to load. Real Photo Postcards are photographs that are reproduced by actually developing them onto photographic paper the size and weight of Postcards, with a Postcard back. There are many Postcards that reproduce photos by various printing methods that are NOT “real photos” The best way to tell the difference is to look at the Postcard with a magnifying glass.
If the photo is printed, you will see that it is made up of a lot of little dots, the same as a photo printed in a newspaper. A Real Photo Postcard is solid, no dots.
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Real photo post cards (RPPCs) are cards that have been produced in the darkroom on photographic paper. On real photo post cards, codes in the stamp boxes.
The value of the photographic postcard, a unique historical document in itself, has been vastly underestimated by historians. Today, these types of photographs are of immense value in both photographic as well as social historical research. It was not until recently that the author himself started to incorporate these long-undervalued photographic formats, also commonly referred to as the Real Photo Postcard RPPC , into his own photographic research collection.
The author conducts research on South African photographic history prior to and therefore had to consider including any South African Real Photo Postcard produced between around and into his research field to obtain a broader perspective around professional photographer activity during this period. The first permanent photographic image was introduced in the Daguerreotype format around the ‘s , followed by the Ambrotype, then the paper based versions of the Carte-de-Visite, Cabinet cards and stereo cards, with the tintype somewhere in between.
RPPCs had significant advantages, the main one being that they were easier to produce than the photographic formats mentioned above.
Germans in France cathedral destruction during the French revolution, subsidiary page to Germans in France. Marianne – a French national symbol, with French definitive stamps. Pic du Midi – observing stars clearly, A64 Carcassonne, A world heritage fortified city. Futuroscope Vulcania Space City, Toulouse.
Making sense of dating old postcards with a short general history of postcards, R.P.P.C.: Real Photo postcard – a postcard made by printing from a negative.
Clark; 2 pp; Laminated 5 mil; Published: ; The Real Photo Postcard KwikTip covers the earliest photo cards,explains the different formats, and includes beautiful reproductions of the postal stamps used; with dates avaialable to help identify your photo postcards. Also included is the ‘golden era’of postcards beginning in An introduction to stamp boxes lets you date the most common postcard paper stock, and historical tips and information about the modern divided back postcards are offered.
Dating Postcards. To date RPPCs, collectors can examine the stampbox markings. Charts can be found on websites such as The2Buds Collection Protection.
This guide is meant to aid the collector in identifying and dating real photo postcards, and to act as a reminder that it is impossible to do so with great accuracy. A lthough real photo postcards were made in a variety of ways, they hold one identifiable feature in common. The tonalities of photos are completely continuous to the eye producing true greys, for they are created by the reaction of individual photosensitive molecules to light rather than the transfer of ink from a plate.
In printed images the grey areas are usually made up of black marks that are spaced to create the optical illusion of greys. Though most of us today are familiar with the concept of photo grain, this is mostly because we have experienced very large prints made from small 35mm negatives. But even here the effect is more of a softening of detail than a observable texture. Early real photo postcards are small by their very nature and since most were contact printed, not enlarged, there is no visible texture.
Collotypes, which provide the finest detail of all printing methods are sometimes confused with real photo postcards. But even collotypes will exhibit a discernible grain when magnified. And of course any image that contain a regularly patterned series of dots is not a photograph at all but a ink printed image. Some halftone cards were printed on high gloss paper to resemble a photograph but their screen patterns will give them away if one is vigilant.
Most old photo papers used silver in their emulsions. As time passes this silver tends to migrate to the surface of the print creating tell-tale metallic patches. Observing this shiny crust, no mater what the color, is a quick and sure way of telling if you are looking at a real photo.
A real photo postcard RPPC is a continuous-tone photographic image printed on postcard stock. The term recognizes a distinction between the real photo process and the lithographic or offset printing processes employed in the manufacture of most postcard images. In Kodak introduced the No. Many other cameras were used, some of which used glass photographic plates that produced images that had to be cropped in order to fit the postcard format.
In , Kodak introduced a service called “real photo postcards,” which enabled customers to make a postcard from any picture they took. While Kodak was the major promoter of photo postcard production, the company used the term “real photo” less frequently than photographers and others in the marketplace from to ca.
Suggestions for Sources for Dating RPPC Stamp Boxes? [deleted]. ShareComment. 1. 0 Comments sorted byBest. Log in or sign up to leave a comment.
Photographs of the Philippines did not begin to surface in the U. In many cases, negotiation between cultures is not a real option as the dominate culture goal is to reshape the culture and the practices of the people. The 3 year Philippine-American War which began in with the signing of the Treaty of Paris ended with over , Filipino solider and civilian casualties Banta The moral goal of the U. The American narrative of the Filipino culture is one that disfavors the Igorot peoples of the highlands.
The Igorots, a term used primarily to identify rice terrace farmers and primitive cultures of the island, were rejected by the highly Christianized western ideologies. American photographic collections were used by the U. Although much of photography discussed below exposes a small percentage of the population, prominent American figures, like Dean C. Worcester, used a very small amount of images to create a norm for an entire population and then used those selections to justify the U.
Dean C. Worcester, Secretary of the Interior for the Philippines, documents and classifies the progress of civility in the nation through photography. He was a Zoologist for the University of Michigan who began traveling the islands as an ornithologist photographing native birds.